VFX & Compositing Supervisor

What You'll Do6

• Define quality standards and an artifact taxonomy for micro detail, multi-layer integration, physics, previs, and concept art, then assess current evaluations against those standards.
• Build and curate benchmark sets with strong examples and hard cases across VFX, simulation, previs, and concept work, then test early model output against them.
• Review generated footage frame by frame and write actionable notes on temporal instability, compositing seams, spill, physics, and fine detail.
• Help shape reviewer vetting and calibration so human judgments stay consistent across the pool.
• Audit captioning guidelines to ensure descriptions capture VFX, physics, and preproduction detail with accuracy.
• Partner with other domain experts to align evaluation methods and resolve disagreements.

Requirements8

• 7+ years of professional work in feature VFX, animation, or virtual production.
• Screen credits on at least 2 professional films.
• Experience as a VFX Supervisor, Compositing Supervisor, Lead Nuke or Flame Compositor, FX Technical Director, CG Supervisor, Previs or Postvis Supervisor, or Senior Concept Artist, Matte Painter, or Visual Development Artist.
• Sharp eye for temporal instability, compositing seams, spill, physics, and micro detail.
• Hands-on practice with generative tools for concept art, previs, and test samples used in comparisons.
• Reliable access to a 4K display for pixel-level review (nice to have).
• Availability for about 40 hours per week on weekdays.
• Strong written communication skills, with the ability to translate VFX, physics, and preproduction detail into precise caption and evaluation language.

Who Should Apply

Candidates with 7+ years in feature VFX and credits on at least two films will find the strongest fit, with weight on supervisors or leads from compositing, FX, CG, previs, or concept art. A sharp eye for seams and physical behavior matters as much as hands-on use of generative tools.

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