Mercor
MercorVerified listing
Remote

Video Editing Professional

50/hr
Remote
Posted October 9, 2026
hourly
25 openings
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Listing checked October 9, 2026 · pay as published by Mercor

Overview

The project assembles a panel of professional video editors to create post-production tasks that train and evaluate AI agents. Each assignment gives an agent the package a junior editor receives: source footage, a brief, and a deliverable spec, plus a hidden answer key or rubric so the team judges the finished video on the edit itself. Editors work in their own software, such as Premiere Pro, DaVinci Resolve, Final Cut Pro, or Avid Media Composer, and supply footage they shot and own. Expect about 12 hours each week on an engagement paid by the hour, with remote work. The panel is not open to residents of California.

What You'll Do6

  • 1Contribute original footage you shot and own outright, then write realistic editing briefs from that material.
  • 2Source clips with reuse licenses when you do not shoot your own, and author briefs around those assets.
  • 3Build each task from start to finish in your own editing software: cut the piece, add defects or distractors when the brief calls for them, and create the reference edit that graders compare against.
  • 4Write the grading criteria, with concrete, checkable standards and the editorial reasoning behind each one.
  • 5Blind-solve tasks built by other editors, then document a step-by-step solution without seeing the hidden answer.
  • 6Match delivery details such as resolution, frame rate, codecs, audio channel layouts, and frame-accurate cuts.

Requirements6

  • 15+ years editing in film and TV, commercials, broadcast news, or creator and social production, with ownership of deliverables end to end.
  • 2Fluency in at least one professional editor: Premiere Pro, DaVinci Resolve, Final Cut Pro, or Avid Media Composer, plus basic color and audio cleanup.
  • 3Comfort with delivery specs: resolution, frame rate, codecs, audio channel layouts, and frame-accurate cuts.
  • 4A library of unpublished original footage you shot and own outright, with on-camera talent who will sign appearance releases. More footage strengthens your application.
  • 5Residence outside California.
  • 6Availability for about 12 hours each week.

Who Should Apply

The right editor has spent 5+ years cutting professional work in film, TV, commercials, broadcast news, or creator and social production, and can show a reel that proves ownership of finished deliverables. You should be at ease in Premiere Pro, DaVinci Resolve, Final Cut Pro, or Avid Media Composer, with enough color and audio cleanup skill to submit a clean reference edit. This panel also rewards editors who own unpublished footage and can get appearance releases from the people on camera, because that material feeds task creation. Candidates less suited to the role include those with under 5 years of professional editing, those who work from stock libraries they do not control, and residents of California, who the panel cannot accept. A common reason applicants score low is a reel that shows polished work but no evidence of full ownership, brief writing, or graded criteria; another is missing delivery-spec knowledge such as codecs, frame rates, or audio channel layouts.

Salary Insight

The posted rate is $50.00/hr for an engagement paid by the hour. That rate matches senior-level contract editing for AI training work, given the 5+ years of experience, footage ownership, and release paperwork the task requires. You can expect about 12 hours of work each week, so this suits an editor who wants structured project hours beside other commitments.

Pay and demand for Video, Film & Photography roles

Aggregated

Typical pay

$28/hour

This role

$50/hr

Most Video, Film & Photography roles pay $15–$48 per hour. This role's pay sits above that range.

Based on 58 similar roles that publish pay · 5 publish only a top rate; those count at the rate they gave

Typical rangeMedian payThis role

Rates shown per hour. Yearly and monthly pay converted; one-time fees and non-USD pay are not included.

Live similar roles
71
Listed in last 30 days
45
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94%

Hiring most right now: micro1 (41) · Mercor (7) · AfterQuery (5)

Most requested skills · share of roles

  • video editing
    24%
  • graphic design
    14%
  • video recording
    11%
  • post-production
    10%

Figures from Video, Film & Photography roles live on NearSkill when this page loaded. A role can close before you apply, so check the listing itself.

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Location

Typeremote
LocationRemote
This is a remote position

Compensation

$50/hr

Required Skills

video editingadobe premiere prodavinci resolvefinal cut proavid media composercolor correctionaudio cleanuppost-productiondelivery specsframe ratecodecsaudio channel layoutsframe-accurate editingfootage licensingappearance releasesbroadcast newscommercial productionsocial media videoai training dataai evaluationgrading rubricsediting briefsreference editdistractor design

Application Tip

Lead your application with your reel and a short list of owned footage. Name your editor (Premiere Pro, DaVinci Resolve, Final Cut Pro, or Avid Media Composer) and point to one finished cut that shows color correction, audio cleanup, and frame-accurate delivery. Add a note about whether the people on camera will sign appearance releases, since that detail addresses a key requirement and can raise your fit score.

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  1. 1Instant rubric match

    Your resume is scanned against this role’s requirements to check qualification fit.

  2. 2Screened before the employer sees it

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  3. 3Outcome by email

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