Music Producer & Audio Post Specialist (AI Evaluation)

What You'll Do7

• Coach research teams through the gaps in their music and audio knowledge so model output improves.
• Build realistic test tasks such as scoring to picture, multi-stem arrangement, voice-over cleanup, ad sound design and mixing, then ship rights-cleared reference deliverables in editable sessions.
• Review model-generated music, voice-over, sound design and mixes, and write clear feedback on structure, picture sync, intelligibility, balance and loudness.
• Write grading rubrics and quality checks that cover technical loudness targets and sync accuracy for music and audio.
• Compare generated results against your own samples and flag weak output that only looks convincing on the surface.
• Sync with other subject matter experts so training data stays consistent and accurate across tasks.
• Walk reviewers through your portfolio and explain the creative and technical calls behind each decision.

Requirements10

• 5+ years of shipped commercial music or audio post work for agencies, brands, broadcasters or production companies, gained at a music house, audio post studio, production music library, network or in-house brand audio team. Student work, crowd rating and data labeling do not count.
• Composer and producer credits on broadcast or digital spots, including multi-stem arrangements, alt mixes and cutdowns at :60, :30, :15 and :06 timed to picture.
• Mix and master credits on spots delivered to broadcast loudness specs such as ATSC A/85 (-24 LKFS, -2 dBTP) and EBU R128 (-23 LUFS, -1 dBTP), with the ability to recite those specs from memory.
• Hands-on command of Pro Tools, Logic Pro or Reaper, plus iZotope RX for voice-over and dialogue cleanup, plus a loudness meter such as iZotope Insight, Nugen VisLM or Waves WLM.
• Comfort with editable sources and deliverables: DAW sessions, DME and instrument stems, cue sheets, ISRC and metadata, sync licence terms and library delivery specs.
• Sound design, Foley and voice-over session experience, covering bed and voice-over ducking and dialogue intelligibility in short-form ads.
• Practical use of generative audio tools such as Suno, Udio, Stable Audio, ElevenLabs and Adobe Enhance Speech, with the judgment to separate a strong result from a plausible weak one.
• A public portfolio or reel of shipped work that you can present and discuss.
• Reliable weekday availability of at least 40 hours per week.
• Strong written communication and the ability to explain creative decisions in plain terms.

Preferred Qualifications1

• Dolby Atmos or 5.1 delivery experience

Who Should Apply

Commercial composers and mixers with five or more years of shipped ad work who know broadcast loudness specs cold and keep a reel they can defend. Sound designers and audio post specialists who already test tools like Suno, Udio and ElevenLabs and want that judgment to shape model training.

Salary Insight